Textile common sense: the meaning of the antique carpet "two dragon play beads"

The antique carpet inherits and carries forward the fine tradition of the ancient northwest carpet represented by Gansu and Ningxia. In the design of the pattern, it absorbs the beauty of various national art, and has become a world-class art carpet with beautiful patterns, harmonious dyeing and fine processing. It is exported to the United States, Western Europe, South America, Japan and other countries and Hong Kong. It is made of hand-woven fabrics made of wool with long fiber length, good luster, strong tensile strength and moderate thickness. Antique rugs should be distinguished from counterfeit antique rugs.

The antique rug is a virtue that is passed down to the carpet weaving process and national culture that will be lost. The antique rugs have been extended with Chinese traditional motifs to add color to Chinese antique rugs. As a form of art, Chinese traditional auspicious patterns are also a reflection of human thinking and ideology. There must be a process of development. Let the modern logo design and Chinese traditional auspicious patterns be better combined, we must make a deep understanding of the traditional auspicious patterns.

As early as the ancient totem worship period, the ancestors were full of fantasies and speculations about the mysterious universe and the shapes and living characteristics of many animals and plants, and the graphic symbols for the pursuit of security were born. During this period, the animal prints on the painted pottery craftsmanship and the human face fish prints all have the meaning of respecting the gods. This totem culture has laid the foundation for the development of traditional auspicious patterns objectively. The earth enriches the theme of auspicious patterns and is widely used in architecture, sculpture and carpet art, and rich auspicious languages ​​are beginning to appear. The "all things" and the "Year of the Longevity" are the true portrayal of this phenomenon. The patterns of Fu, Lu, Shou, Xi, and Erlong play beads in the traditional auspicious patterns of antique carpets have gradually begun to take shape. In the carpet, the "two dragons play beads" are opposite to each other, playing a bead. There are four kinds of spirits in Chinese ancient legends: dragon, phoenix, lin, and turtle. These four spirits are all in one animal, have extraordinary power, and are the ideal mascots of people. The dragon is the hand of the four spirits and is good at change. The dragon, the length of the worm, can be secluded and bright, can be fine and powerful, can be short and long; spring equinox and ascend to heaven, autumnal and submerged. The dragon has a supreme status in the legend, and thus became a symbol of the imperial power in ancient times. The emperor was called the "true dragon emperor." Therefore, dragon patterns can only be used in monasteries and monasteries in the period of government and religion. Under the rule of the imperial court, the officers will be equal, and only the crepe pattern similar to the dragon pattern can be used. The dragon's dragon is different from the claw, the five claws are dragons, and the four claws are dragonflies.

The dragon-themed carpets are mostly court carpets and temple blankets. The dragon is the god of heaven, and only when the monarchy is clear and clear, it is Zhao Ruixiang. Single dragon play beads can also be seen in the carpet. The bead is called "Dragon Ball", and the Dragon Ball is a bead related to the dragon. Dragon Ball is often hidden in the mouth of the dragon. When appropriate, the dragon will spit it out; the value of the dragon ball is very high. In the case of folk songs, it is a dragon ball that is better than a thousand acres of mandarin beads. Some mollusks, under the stimulation of certain external conditions, the round particles secreted and formed by the shells are favored by people because of their bright luster, so they are called pearls. Since the animals in the water can produce beads, as the long dragon of the aquarium, it is natural to have beads and birth dates. This is a basic idea of ​​the Dragon Ball myth. What is embodied and expressed is the “life consciousness” of the ancients, that is, the understanding, understanding and exertion of the life phenomenon that is endless. The legend of the folk swallowing pearls provides a footnote for our view: a young boy who cuts grass (or fetches water) gets a bead, puts the bead into the rice tank and raises the rice, and puts it in the cash box to make money. After a rich man knows, bring someone to grab the beads. The teenager was in a hurry and put the beads in his mouth, but he accidentally swallowed it. Then thirsty for drink, the tank water drank, and went to drink river water, river water. Drinking and drinking, the corners appeared on the head, the eyes were convex outwards, and the body became longer and the scales became a dragon. Such legends have been widely spread in Sichuan, Zhejiang, Guangdong and other places, showing the preciousness of "beads" and the relationship between Zhu and Dragon's life.

The sun is another understanding of the "beads". Some of the dragon play bead patterns we have seen, especially those of the two dragon play bead patterns, have more flames rising, which is clearly a "fireball" or "fireball"; below is the sea water, which can be understood as a fireball jump The sea. In the people's vision and concept, called the "fireball", the sun can be ranked first. Well, it is clear that the fireball goes out to sea and the sun goes out. Since it is the sun going out to the sea, why should the dragon come to "play"? Here we must introduce the Quartet in the eyes of the ancients: the Oriental Qinglong, the Western White Tiger, the Southern Suzaku, and the Northern Xuanwu. The sun rises from the east, and the dragon is the god that represents the east. In this way, the dragon play beads have the meaning of sun worship, which is the blend of sun worship and dragon worship.

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